AL SATTERWHITE

Al Satterwhite began his photographic career in the 1960s, documenting the social and political upheaval of the era alongside the emerging worlds of music, art and counterculture. Working as both a photojournalist and portrait photographer, he photographed civil rights leaders, anti-war demonstrations and many of the defining musicians and cultural figures of his generation.

Throughout his career, Satterwhite produced iconic portraits of artists including Jimi Hendrix, Janis Joplin, Bob Marley, Andy Warhol and Muhammad Ali. His photographs have appeared in leading international publications and are held in museum and private collections, securing his place as one of the most distinctive visual chroniclers of American culture in the second half of the twentieth century.

Staff Picks

Hunter S. Thompson in color, close-up, Mexico, Al Satterwhite, 1974
from $1,500.00

I photographed Hunter S. Thompson on the island of Cozumel, Mexico, in March, 1974, sitting on the seawall at El Presidente Hotel before being interviewed for the November 1974 Playboy Magazine. Hunter would usually wake up around 11 a.m., we'd work on the interview for a couple hours, and then head into town for the rest of the day. - Al Satterwhite

Muhammad Ali by Al Satterwhite, 1970
from $1,500.00

Muhammad Ali at the 5th Street Gym in Miami Beach while training for his October 1970 bout with Jerry Quarry. Ali would go on to defeat Quarry in three rounds. The first two were very competitive, before Ali opened a deep cut over Quarry's left eye, forcing the judge to stop the fight.

Surf Wagon, Al Satterwhite, 1966
from $2,000.00

Taken at Daytona Beach, Florida in 1966. Kids sitting on a station wagon.

AL SATTERWHITE Print Information

Al Satterwhite prints are available in multiple sizes, see each photo for further information.

  • Archival pigment print

  • Hand-signed by artist, Hand signed and numbered by Al Satterwhite in the border under the image

  • Predominantly limited editions of 25 (noted on each listing)

NOTE: Measurements quoted are paper size, with the printed image being slightly smaller to create a natural border to house the photographer’s signature and edition number