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Asleep At The Wheel, taken at the Austin Opry House in 1978 by photographer Scott Newton from our exclusive collection, The Scott Newton Archive.
Available as a signed, limited edition photographic print, comes with a certificate of authenticity.
Photographer’s notes: There's Ray Benson in the center of the shot (With Lucky O, Lee Roy Preston, and Chris O'Connell). He's the one constant in an otherwise flexible roster. They have come to epitomize the Western Swing genre, winning Grammy after Grammy, year after year. More fun than a barrel of monkeys, they fit right in here in Austin. You'd never guess Ray was from Philadelphia; he's assimilated so well.
You can add framing to your print purchase if needed, or simply order the print unframed. Our framing service is provided by a reputable, local professional custom framer here in Austin. Prints are framed in a classic museum-style frame using archival techniques. This consists of a 3" white matt, plain black wood surround, and conservation clear, UV-protected glass. Upgrade to non-glare museum glass for an additional fee.
Asleep At The Wheel, taken at the Austin Opry House in 1978 by photographer Scott Newton from our exclusive collection, The Scott Newton Archive.
Available as a signed, limited edition photographic print, comes with a certificate of authenticity.
Photographer’s notes: There's Ray Benson in the center of the shot (With Lucky O, Lee Roy Preston, and Chris O'Connell). He's the one constant in an otherwise flexible roster. They have come to epitomize the Western Swing genre, winning Grammy after Grammy, year after year. More fun than a barrel of monkeys, they fit right in here in Austin. You'd never guess Ray was from Philadelphia; he's assimilated so well.
You can add framing to your print purchase if needed, or simply order the print unframed. Our framing service is provided by a reputable, local professional custom framer here in Austin. Prints are framed in a classic museum-style frame using archival techniques. This consists of a 3" white matt, plain black wood surround, and conservation clear, UV-protected glass. Upgrade to non-glare museum glass for an additional fee.
